A b o u t
Education
Virginia Commonwealth University School of the Arts
Bachelor of Fine Arts- Photography & Film
Bachelor of Fine Arts- Art Education
Exhibitions
2024 Summer 2024, The Curated Fridge, Candela Gallery, Richmond, VA
2024 A Testament to Loss, Too Tired Project, virtual
2024 Nostalgia, LoosenArt, Millepiani Exhibition Space, Rome, Italy
2023 Faces & Places, dodomu gallery, Brooklyn, NY, virtual
2023 Inscrutable, Analog Forever Magazine, virtual
2023 Portal, juried by Crista Dix, A Smith Gallery, Johnson City, TX, virtual
2022 To Keep You Warm: An Exhibition of Quilts, VCUarts, the Anderson Gallery, Richmond, VA
2022 DSC_2022, VCUarts, the Anderson Gallery, Richmond, VA
Awards
2023 Portal Juror’s Award, juried by Crista Dix, A Smith Gallery, Johnson City, TX
2023 Art Education Merit Award, Virginia Commonwealth University
Publications
2024 Stupid Idiot Press, We All Felt the Sun
2023 Bitter Pill Press, Apple a Day Vol. 2: Rainy Days
2021 The Commonwealth Times, Year in Review: COVID-19
Related Experience
2024 Virginia Collegiate Professional Teaching License, Visual Arts, PreK-12
2019-23 Lighting Studio Manager and Darkroom Monitor, VCUarts Photography & Film Department
2021 Lighting Location Studio Class, Teaching Assistant, VCUarts Photography & Film Department
Bio
Sophie Pimpinella (b. 1999) is an artist and educator from Richmond, Virginia. She graduated from Virginia Commonwealth University with Photography and Art Education BFAs in 2023. Her work is rooted in experimentation, with a focus on blending perceived realities through the physical properties of analogue film. Persistent themes throughout her work include the body, nature, water, softness, memory, and existentialism.
Email: sophiepimpinella@gmail.com
Artist Statement
My work explores the universal conditions of recollection and perception that surround our consciousness. Revealing the poetics of interconnectedness, portals to the evermore unknown are manifested and release lingering ripples. By resurfacing stiff, fragmented notions of existence and being, sublime patterns are able to seep through my photographs. This fractality contributes to a recurring collision of chaos and calm, intrinsic to randomness and contingency. Linear temporality is perpetually obstructed by the persistence of memory, dreams, and the exceedingly human inclination to linger on the past. The pictures I make are simultaneously a personal response to this quality and an analysis of its presence.